Remember when you were a kid, and everyone was enjoying a game of Ghost in the Graveyard? And along comes little Sammy Snot-Nose, who doesn’t want to play the game. Who knows why. Maybe his mom made him eat one too many meatloaf. Or maybe he didn’t get his Ritalin that day. So, Sammy starts telling people where the ghost is hiding. He trips people as they run from the ghost, and interrupts everyone’s conversation until he is the main focus. At that point, everyone is forced to stop playing to figure out what to do. Either you decide to play his game to make him happy, or you give up, go home and watch the Love Boat.
At The Second City, we learned the magic of “Yes, and…” For the non-improvisers living among us, the phrase is a simple tool to help build a decent scene. When your scene partner makes a choice, it helps everyone on stage if you just play along. After all, who wants to play with a grown-up version of Sammy Snot-Nose? Your response to whatever they say or do should at the very least agree with the premise of their choice (thus the “yes”), and respect it.
For example, if they walk out saying “Thanks for the ride, Dad!” you should move forward as that character’s dad in your mind. If you responded “Don’t speak to me that way. I’m your mother!” you might get a laugh, but you’re also slowing down the dramatic momentum of the scene. Of course, excellent improvisers can turn any choice into magic. In the hands of experts, those two opposite statements could become the most nuanced and poignant satire exploring modern roles in the family or issues of transgender identity.
After a waste of time improv show full of Sammy Snot-Nose clones, the audience will most likely greet the improvisers in the backstage alley for an improvised beating. On the other hand, if everyone on stage builds on each choice instinctively, the team tends to tap into some very powerful subconscious parts of our brain, and all the crazy unique choices connect together to surprise the audience (as well as the improvisers). Thus, the magic.
To me, the ability to let go of control and say “Yes, and…” to life is the secret to happiness. The last episode of the first season (available on 9/26/13) deals with a troubled pregnant lady at a bus stop. It was a small part of the original Baby Time sketch that I wrote back in 1998. But, then I added a reprise of the character that made this week’s episode just a setup for a story payoff later. In this week’s scene, he swats her away like an annoying pest. He doesn’t have the time or patience to deal with her insanity. However, when he sees her again in the later scene, it’s a second chance to try a different approach with her. He then responds with more of a “Yes, and…” mindset, and the end result helps him realize that he’s better off letting go of his control-freak nature.
Unfortunately, I have a feeling, that payoff won’t become a reality. Episode 6 is most likely the last produced episode of the series. I’ve worked on the web series for over 3 years. I’ve learned a great deal about this emerging medium, and the possibilities. I could continue on making the rest of the Baby Time! series, but it would require a fairly large budget. It makes more sense to apply what I’ve learned to a new project that can be completed for a small budget in a shorter amount of time.
So, for now, I figured I would include the remaining story, in case you want to see how the series would end. Below is a rough layout of the remaining seasons, the characters in each episode, and the overall emotional journey of our main character Richard. Enjoy!
Season 2 (Episodes 7 – 12)
During the next 6 episodes, Richard heads to Oak Park to track down the missing mid-wife.
Episode 7 – They hop on the METRA train to Oak Park where the mid-wife lives. On the train, a couple only pretending to be therapists force Richard into a very unorthodox therapy session, and still manage to uncover his hidden issues with his mother-in-law Chelsea.
Episode 8 – Exhausted, Richard falls asleep on the train, waking up at the end of the line in Geneva, IL. Cabbie Joe reveals that he has also been banned from taking cabs, so they must “borrow” a school bus from a nearby school, where two kids torment Richard.
Episode 9 – Richard finally arrives in Oak Park, but a snappy musical number reveals that the mid-wife is too busy with her dysfunctional family to fulfill her duties.
Episode 10 – Richard and Chelsea knock on doors to find a ride back to Anna in Lincoln Park, interrupting many strange characters, until a loner lends Richard a girl’s bike.
Episode 11 – While riding the bike to the EL station, Richard has a nervous breakdown about failing to get the midwife, but Anna talks him back to sanity.
Season 3 (Episodes 12 – 16)
During the next 5 episodes, Richard rushes back home, but Anna is gone.
Episode 12 – Richard encounters the siren-like citizens of downtown Oak Park as they try to prevent him from leaving their perfect world, and Cabbie Joe shows up just in time to save him from being hit by the Soccer Mom’s car (from Episode 2).
Episode 13 – Richard and Cabbie Joe wait for the EL train, while two old guys complain in a very matter-of-fact way about marital problems caused by a live-in space alien.
Episode 14 – When the EL train stops for maintenance, Richard and Cabbie Joe cut through a cemetery, while a mourner begs Cabbie Joe to help her get revenge on her dead husband’s ghost.
Episode 15 – Cabbie Joe runs into his estranged father at the park, and he and Richard embark on an elaborate psychological game to borrow his vehicle.
Episode 16 – Richard and Cabbie Joe finally make it home on the dad’s golf cart, only to find that Anna has been rushed to the hospital with complications. When Richard gets stuck in Cubs traffic, all hope seems lost, until he gets in an accident and the ambulance gets him to the hospital.
Season 4 (Episodes 17 – 20)
In the last season, Richard beats himself up as a failure, but some characters from earlier in the series return to help him rethink his approach to life, just in time for the birth of his child.
Episode 17 – Richard dreams about an infomercial parody selling Loopholes for Catholics – and wakes up ready to reconsider his view on control. The doctor asks Richard to convince his wife to have a C-Section, but Richard insists the doctor respect the choices of his wife and her Doula.
Episode 18 – Richard crawls through the Emergency Room of the hospital in pain past all the characters from the series, until the Father Wilczek (from Episode 2) almost murders him because he “knows too much.”
Episode 19 – Richard runs into Preggo from the bus stop again as she’s about to give birth, but instead of avoiding her, he helps her deliver her baby.
Episode 20 – Finale – Richard makes it to Anna just as she’s giving birth. The entire episode is a rock anthem with choreography detailing the birth of his baby, resolving all his conflicts, and annoying the masochistic doctor. Richard finally learns to enjoy life as it occurs, instead of living with the false notion that he can control everything.